Noor Hindi’s DIARY OF A FILTHY WOMAN (cover art: Tanya Gonzalez)
DIARY OF A FILTHY WOMAN is shot through with desire, standing firm in its ground as protest, as prayer, as command. Hindi masterfully weaves vulnerability and strength, pain with sharp determination—she is tempered steel, she is flame, she is fierce in her direction: “Make a bonfire out of want. // Jump into it.” (Porkbelly Press, 2018) » more
About the poet
Noor Hindi is currently pursuing her MFA in poetry through the NEOMFA program. Her poems have appeared or are forthcoming in Glass Poetry, Jet Fuel Review, Diode Poetry, Whiskey Island Magazine, Flock Literary Journal, and Foundry. She reads poetry for The University of Akron Press and writes for The Devil Strip Magazine. Check out her blog at noorhindi.com.
Apples or Pomegranates (cover art: Anita Olivia Koester)
Apples or Pomegranates is an intimate exploration of the spirit housed inside a body, the failings and the strength in each. Sometimes erotic and at other times full of another kind of wanting, this micro chapbook delves into the experience of living boldly, step by step along the path—”a tight-rope walking girl, a pit of lions beneath.” This is the route she takes on these pages, hand out, palm up, if you’ve courage enough to join her. (Porkbelly Press, 2017) » more info & excerpt » available in our shop
about the poet
Anita Olivia Koester is a Chicago poet and author of the chapbooks Marco Polo (Hermeneutic Chaos Press) and Arrow Songs which won Paper Nautilus’ Vella Chapbook Contest. Her poems have been nominated for Best New Poets and Pushcart Prizes, and won Midwestern Gothic’s 2016 Lake Prize in Poetry, So to Speak’s Annual Poetry Contest, and the Jo-Anne Hirshfield Memorial Poetry Award. She is currently the poetry editor for Duende. Her poetry is published or forthcoming in Vinyl, CALYX Journal, Tahoma Literary Review, Tupelo Quarterly, Pittsburgh Poetry Review, and elsewhere. Her work as been supported by the Bread Loaf Writers’ Conference, Vermont Studio Center, and Sundress Academy for the Arts (SAFTA). Visit her online at www.anitaoliviakoester.com.
In this collection, Koester gives us three central lessons. One, it is not always necessary to be loud to be ferocious. Two, there are unlimited ways to be naked, most of which happen clothed. Three, even longing that begins with nostalgia can blossom into something altogether and luminously new.
Apples and Pomegranates unravels and interrogates a universe set on its denial of the body feminine. Artistic canon, the expectations and consequences of relationships, biology itself, and even language (its translation or mistranslation) are called into light by Koester’s words. “Travelling the fallopian tubes of the Milky Way” is a tender prospect in every sense of the word. Koester’s command of passion and utterance is that kind of double-edged wonder.
—Keith S. Wilson
Anita is also the cover artist for her chapbook.
Love Me, Love My Belly issue no. 3
Love Me, Love My Belly is a half-size zine composed of art, creative nonfiction, and poetry—an annual print zine dedicated to the acceptance of self and imperfection as beauty. It’s about the space between us, our differences, our scars, our wobbly bits, and our power as it relates to the bodies we live in. » available in our shop
Kelly Lorraine Andrews, Sossity Chiricuzio, Brendan Gillett, Nicole Havekost, Cathy Immordino, Sonja Johanson, Negesti Kaudo, Laurie Kolp, Mandem, Caroline Plasket, and Molly Raynor.
COVER & BINDING
Our cover art for this issue is a hypermobility study by artist Mandem.
LMLMB no. 3 is handbound by Nicci using heavy thread. Cover: inkjet printed on matte paper. Guts: laser printed on bright white, 24# paper.
LMLMB no. 3 details
What’s pink & shiny / what’s dark & hard (stack of books)
There’s a rhythm and a lyricism to Sarah’s poems that draw you in from the first. She talks about things like jail and love, blood and friendship, abortion and medicine and sex. These are poems of and about the female body. Linked poems weave a narrative close enough to be a secret whispered on the phone at 2am, full of sustained and blooming image. Read them if you’ve ever loved a woman, particularly if that woman is you. | available for purchase via WLH’s etsy shop
An excerpt from “Chapter 6: Waiting Room”
excerpt from “Chapter 6: Waiting Room”
About the poet
Sarah B. Boyle is a poet, mother, high school teacher, and activist. Her poems and essays have appeared in VIDA, Menacing Hedge, Entropy, and elsewhere. Following the rapes and assaults that ripped through multiple literary communities this past year, she edited a series of essays for Delirious Hem on rape culture and the poetics of alt lit. She has an MFA from Sarah Lawrence College. Find her online at impolitelines.com.
About the cover artist
Nicci splits her time between exploring, telling tales, and painting girls with inky tattoos. She lives in Cincinnati, Ohio with a pack of roomies & rescue animals specializing in troublemaking and joy. @damnredshoes | damnredshoes.wordpress.com
What’s pink & shiny / what’s dark & hard (Sarah B. Boyle), front cover (Nicci Mechler)