Monthly Archives: January 2018

01.31.18
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Porkbelly’s January News

(from our poets & authors—readings, happenings, reviews, books, and news)

Rooed by Thirst // Tina Mozelle Braziel (cover art: Kathleen Piercefield)
Feeding the Dead by M. Brett Gaffney (cover art: Mary Chiaramonte)
Found Footage by Maggie Woodward (cover: Nicci Mechler)
How Darkness Enters a Body by Sarah Nichols
My Heart in Aspic by Sonya Vatomsky (cover: Shannon Perry)
Poems for Ivan by Sara Adams (cover: Nicci Mechler)
Pray, Pray, Pray by E. Kristin Anderson (cover: Nicci Mechler)

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Rooted by Thirst (Porkbelly Press, 2016)
by Tina Mozelle Braziel

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My Heart in Aspic (Porkbelly Press, 2015)
by Sonya Vatomsky » @coolniceghost

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney « blog

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Found Footage (Porkbelly Press, 2018)
by Maggie Woodward

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Poems for Ivan (Porkbelly Press, 2016)
by Sara Adams » kartoshkaaaaa.com

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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01.29.18
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Found Footage // Maggie Woodward

Found Footage by Maggie Woodward (cover: Nicci Mechler)

Found Footage is visceral little book of freckled skin, fox-bellies, and sparrow blood. There are erasures scribbled out in pen and secrets released into the night—girl stories, horror stories, love stories, a little bit of each one ominous.: “this is how the story goes: there was a girl & / there was a river.” They feel like confessions pulled from a diary stained around the edges in blood and darker things, each one “fanged  (but lovely).” (Porkbelly Press, 2018) » available from our shop »  more info

excerpt
"Girl Work" by Maggie Woodward
ABOUT THE POET

maggie woodward is an mfa candidate in poetry at the university of mississippi, where she is senior editor of the yalobusha review & curates the trobar ric reading series. she is also a programmer for the oxford film festival. her work has appeared or is forthcoming from The Atlas Review, Devil’s Lake, Witch Craft Magazine, Cloud Rodeo, & New South Journal, among others.

01.02.18
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How Darkness Enters a Body // Sarah Nichols

How Darkness Enters a Body by Sarah Nichols

“In this darkness, desire is safe,” begins the title poem for Sarah Nichols’ How Darkness Enters a Body. In this darkness, desire is safe. There are secrets here, confessions. The poet brings us to the photos of Diane Arbus, inspecting contact sheets and images, mining poems from silver embedded in emulsion. Black and white photographs transformed into ekphrastic lines, light and shadow, poet leading reader to artist to begin a conversation. The speaker’s voice is sure, whispering to us in the way Arbus’ images do, pools of darkness unexpected and edged, like shadows thrown under an eclipse. Confront her or take her hand—these and more choices are yours:  “Here is your tongue, sister. / Let me share it.”  (Porkbelly Press, 2018) » available in our shop » more info

 

about the poet

Sarah Nichols lives and writes in Connecticut. She is the author of three chapbooks, including She May Be a Saint (Hermeneutic Chaos Press, 2016) and Edie (Whispering): Poems from Gray Gardens (Dancing Girl Press, 2015). She also co-edits Thank You for Swallowing, an online journal of feminist protest poetry. Her poetry and essays have also appeared and are forthcoming in Queen of Cups, The RS 500, Rogue Agent, and Ekphrastic Review.

excerpt

SOMETHING WAS THERE AND NO LONGER IS

After Inadvertent Double Exposure of a Self Portrait and Images of Times Square, NYC, 1957, by Diane Arbus

I haunt this place now. Under the
neon, I pass between worlds. The

spirit photograph no one wants to
believe.

I catch my subjects so easily: the
woman, poised before the next cigarette,

almost recognizes herself in the
snare of my lens. Or the crowd,

thinking themselves safe in the light
of the next dime show miracle.

I don’t dare to shut my eyes.