preview: Vein of Stone | off the press in late July

Vein of Stone (Sarah McCartt-Jackson) is our first offering of Appalachian poetry. This chapbook of poems sifts through the life of a family in coal country, primarily via a series of letters from three voices. It calls to mind land full of limestone and sweet magnolia blossoms along a buffalo trace. | $10 | available in late July.

Pictured here are the covers awaiting end papers and finished guts. Pulled by hand (screen prints), these covers are printed in 2 colors on 65# stock (the kraft brown is 100% recycled, 20% PCW). The special edition release is limited to 75 hand-numbered, handsewn copies.

We were first introduced to Sarah’s poetry via her submission to Sugared Water lit mag’s Epistolary (a special edition of letters and letter-poems). She captured our ears and minds with her weaving of culture and language nestled in with little bits of folklore—she reaches down again and again to mine up the story of this family—what’s left of them in absence of each other—and she shows us how they’re marked like a body taking on coal dust with each breath.

Below is a sample from the chapbook, a selection of two stanzas from “Kentucky Rose,” the opening poem:

Five days and a riverside away from his wife Ora, Eli knows the rain
by whether or not his ankles slap through coalwater,
whether the sludgy drip of soil-seep oils his palm.

And when the earthhush of that shaft struggles to slip from the blue
shale stitched above the carbon, the sound becomes the rasp
of a carpenter bee’s mandibles boring tunnels
into the porchwood to remove its yellow poplar
grain by grain, gram by spittled gram.

About the poet:

Recently chosen as artist-in-residence for the Great Smoky Mountains National Park for its 2014-2015 season, Kentucky poet Sarah McCartt-Jackson has spent decades developing her craft, dedicating her art to exploring the natural and cultural world that encompasses all who share in planet life. Through poetry, she endeavors to inspire others to connect, reflect, meditate, and act for the future of our ecosystems of all sizes: valley, prairie, forest, fern. As a poet, naturalist, and folklorist, McCartt-Jackson interprets scapes (landscape, homescape, culturescape) in both traditional and contemporary ways. Her poetry allows for enriched understanding for ideas to feather into a central locus, exploring the diversity of biological and cultural life and profound experience rooted in sanctuary and wilderness. Her work has been published by and received honors from the Academy of American Poets, the Kentucky Foundation for Women, Copper Nickel, Indiana Review, Journal of American Folklore, Tidal Basin Review, and others.

Some of the poems from this chapbook originally appeared in: The Fourth River, Friends of Acadia Journal, Indiana Review, Redheaded Stepchild, and Sugared Water.

from “Waiting for Rebecca” (Bodies in Water)

Edie Carmichael sits on her back oak deck staring at the river, watching for the body. She has done this for three days, everyday since she heard about the drownings. The car had missed a curve on State Route 128 and broke through the guardrails to splash into the Great Miami River. It sank to the bottom.

She has heard on Eyewitness News that there were two people in the car. One man, one woman. She wonders if it was his wife or girlfriend or mistress.

from the short fiction section of P. Andrew Miller’s combo chapbook, Bodies in Water, released in February 2014. As of this writing, there are a few special limited edition copies remaining in the shop.