Bodies in Water & Vein of Stone (open edition)

We’re pleased to present you with a first look at the open edition covers of two of our titles. These covers are inkjet printed on matte professional photo paper & feature hand-cut title flags, typewritten on recycled (100% PCW) paper. Each varies slightly.

Bodies in Water Cover Art

“No River Like Craving” (oil, 36 x 48 inches) by Angie Reed Garner.
Garner is a second-generation narrative painter from Kentucky. www.angiereedgarner.com

Vein of Stone Cover Art

“I Was Listening” (collagraph & monotype, 15 x 22 inches) by Kathleen Piercefield.
Piercefield is a Kentucky based printmaker and fine artist. www.kpiercefield.com

 

Bodies in Water and Vein of Stone are available via Etsy.
Special edition copies (screen printed covers) may also be available. Please check our Porkbelly Press shop section.

Stay tuned for a look at our first micro chapbooks & other titles.

Vein of Stone

Pulled by hand (screen prints), these covers are printed in 2 colors on 65# stock (the kraft brown is 100% recycled, 20% PCW). The special edition release is limited to 75 hand-numbered, handsewn copies. Only two color covers remain: black and brown. The covers feature a hand drawn magnolia blossom & seed pod. The decorative end papers are marbled, each unique.

These are lovely Appalachian poems about coal mining life and the ways in which it affects a specific family. The language will draw you in and keep you.

If you’d like to spend some time reading these poems this summer, you can snag a copy of the special edition for $10.

See this and this post for excerpts, and please let us know what you think!

Give me the rope…

Give me the rope
that you tied around my finger, wild grapevine warped into a loop. Give
me your face, your hands cupping my breasts, your shoes filled with your mud
and feet. Give us your crooked back aching, your owl-lidded eyes, your breath
in our ears, our handplanes, our spindles, our hums, our ladles, and we will give you back
your money, your ring, your footprints in the corn, your tart apples picked
from your tree that make your mouth and tongue water.
your Ora

A sample of Sarah McCartt-Jackson‘s poetry from Vein of Stone (forthcoming this month). | pre-order

preview: Vein of Stone | off the press in late July

Vein of Stone (Sarah McCartt-Jackson) is our first offering of Appalachian poetry. This chapbook of poems sifts through the life of a family in coal country, primarily via a series of letters from three voices. It calls to mind land full of limestone and sweet magnolia blossoms along a buffalo trace. | $10 | available in late July.

Pictured here are the covers awaiting end papers and finished guts. Pulled by hand (screen prints), these covers are printed in 2 colors on 65# stock (the kraft brown is 100% recycled, 20% PCW). The special edition release is limited to 75 hand-numbered, handsewn copies.

We were first introduced to Sarah’s poetry via her submission to Sugared Water lit mag’s Epistolary (a special edition of letters and letter-poems). She captured our ears and minds with her weaving of culture and language nestled in with little bits of folklore—she reaches down again and again to mine up the story of this family—what’s left of them in absence of each other—and she shows us how they’re marked like a body taking on coal dust with each breath.

Below is a sample from the chapbook, a selection of two stanzas from “Kentucky Rose,” the opening poem:

Five days and a riverside away from his wife Ora, Eli knows the rain
by whether or not his ankles slap through coalwater,
whether the sludgy drip of soil-seep oils his palm.

And when the earthhush of that shaft struggles to slip from the blue
shale stitched above the carbon, the sound becomes the rasp
of a carpenter bee’s mandibles boring tunnels
into the porchwood to remove its yellow poplar
grain by grain, gram by spittled gram.

About the poet:

Recently chosen as artist-in-residence for the Great Smoky Mountains National Park for its 2014-2015 season, Kentucky poet Sarah McCartt-Jackson has spent decades developing her craft, dedicating her art to exploring the natural and cultural world that encompasses all who share in planet life. Through poetry, she endeavors to inspire others to connect, reflect, meditate, and act for the future of our ecosystems of all sizes: valley, prairie, forest, fern. As a poet, naturalist, and folklorist, McCartt-Jackson interprets scapes (landscape, homescape, culturescape) in both traditional and contemporary ways. Her poetry allows for enriched understanding for ideas to feather into a central locus, exploring the diversity of biological and cultural life and profound experience rooted in sanctuary and wilderness. Her work has been published by and received honors from the Academy of American Poets, the Kentucky Foundation for Women, Copper Nickel, Indiana Review, Journal of American Folklore, Tidal Basin Review, and others.

Some of the poems from this chapbook originally appeared in: The Fourth River, Friends of Acadia Journal, Indiana Review, Redheaded Stepchild, and Sugared Water.