April Bacon

A Map of the Farm Three Miles from the End of Happy Hollow Road by Amorak Huey (cover image: Alexandra Eldridge)

MEXICAMERICANA by Eloisa Amezcua (cover artwork: Sharmon Davidson)

My Own Strange Beast by Melissa Atkinson Mercer (cover art by Danial Powers)

Feeding the Dead by M. Brett Gaffney (cover art: Mary Chiaramonte)

Ghost Skin by Wren Hanks (cover: Alexandra Eldridge)

Set the Garden on Fire by Chen Chen (cover: Nicci Mechler)

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Dreamland for Keeps (Porkbelly Press, forthcoming)
by Sarah Nichols » @onibaba37

• Sarah’s chapbook She May Be a Saint (Hermeneutic Chaos Press, 2017) is reviewed by Sonja Johanson over at The Rumpus!
• 5 poems appear in Queen of Cups issue 48!
• “Be Careful” and “Red Light,” two erasure poems, are up at Public Pool.

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Ghost Skin (Porkbelly Press, 2016)
by Wren Hanks » tumblr

• a review of Wren’s Prophet Fever (Hyacinth Girl Press) appears in Stirring vol. 19, issue 2.

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney »

• Feeding the Dead is delightfully reviewed at Rust+Moth.

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Mexicamericana (Porkbelly Press, 2017)
by Eloisa Amezcua » eloisaamezcua.com

• Mexicamericana is now available for pre-order! Free domestic shipping with pre-order & use of coupon code AMEZCUA. Offer expires May 29th.

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My Own Strange Beast (Porkbelly Press, 2017)
by Melissa Atkinson Mercer

• My Own Strange Beast is now available for pre-order! Free domestic shipping with pre-order & use of coupon code STRANGEBEAST. Offer expires May 8th.

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

• Gulf Coast‘s video of Chen Chen reading from When I Grow Up I Want to Be a List of Further Possibilities (BOA Editions, 2017).
• Chen’s interviewed by Lone Star Literary Life: “Poet Chen Chen on arriving and belonging, the craft of writing, and Texas.”
• Post interviews Chen: “Writing is Part of How I Resist.” (via Mud Season Review)

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016)
by Amorak Huey » amorakhuey.net

• two new poems in Daphne.

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Donna Vorreyer’s THE GIRL

The Girl by Donna Vorreyer (cover image: Alexandra Eldridge)

Vorreyer’s The Girl is sharp and clear from the dedication: “To all the girls I have taught. To all the girls we once were.” These small prose poems are strung together like a chain of dolls cut from steel, each stronger for her connection to the other, but capable of claiming her own ground—each poem is a portrait of a girl, nameless. Each girl moves beyond that designation, none are just a girl, and their anonymity does not strip identity or agency. These are girls who stand where they will, treat their own wounds, heal broken things, fear little or nothing, persist in spite of, because of—”If she cries, she opens a window, knows her ghosts need a means of escape.” (Porkbelly Press, 2017) » available in our shop » more & excerpt

About the Poet

Donna Vorreyer is the author of Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013) as well as seven chapbooks, most recently Encantado, a collaboration with artist Matt Kish from Redbird Chapbooks and Tinder, Smolder, Bones, and Snow forthcoming from dancing girl press. She serves as the reviews editor for Stirring: A Literary Collection and teaches middle school in the suburbs of Chicago.

» donnavorreyer.com

Cover Art

artist » Alexandra Eldridge
portfolio » alexandraeldridge.com