Haunting the Last House on Holland Island, Fallen into the Bay // Sarah Ann Winn

This is a dream landscape and it is underwater, all the house-things, human-things curled in between blades of red seaweed and pearl-filled oyster. It is a shimmer of sunlight filtering through from the surface, the glimmer of something faceted buried in silt. This micro chapbook is exploration and memory, the way we risk ourselves to look deep in search of some half-forgotten treasure, something we’ll always go back for, no matter how far down. (Porkbelly Press, 2016) | available in our shop  |  excerpt

About the Poet

Sarah Ann Winn’s writing has appeared or is upcoming in Five Points, Hayden’s Ferry Review, Little Patuxent Review, Massachusetts Review, and Passages North, among others. Her chapbooks include Field Guide to Alma Avenue and Frew Drive (Essay Press, 2016), and Portage (Sundress Publications, 2015). She holds a Masters in Fine Arts in Creative Writing Poetry from George Mason University, as well as a Masters in Library Science from Catholic University of America. She teaches creative writing workshops and dispenses book recommendations as a free-range librarian in Manassas, Virginia, where she lives with her husband, two lovely beagle/lab mixed dogs, and one bad cat. Visit her at bluebirdwords.com or follow her @blueaisling.

Cover Art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches and bound by hand with heavy thread.

cover artist » Angie Reed Garner
portfolio » angiereedgarner.com

The Eighth Phrase, LB Williams (poetry)

The Eighth Phrase (LB Williams) is a chapbook of poetry exploring New York as it existed decades ago. It takes a look at the streets of Queens and other areas, the New York Public Library, revels in the sunken fog outside yellowing windows, the messy bustle of a city teeming with joy, bikes, attic windows, high heels, lusty sunlight, and plastic fruit. It may seem a strange list of items to string together, but this chapbook does it beautifully, painting a portrait of child-life and a sense of place so vivid that you can almost taste the ice cream and night air. Available via Wicked Little Heart‘s Etsy Shop. | $7

An excerpt from another poem, number 4, “Unreal City:”

Windows yellow soaked in sunken fog
Downstairs a woman in a black coat
dark sunglasses leaves food for pigeons.
On white sills they enter.

And below is one more sample from the chapbook, an excerpt of poem 14:

A few weeks before, he told me, I’m not afraid to die.
I was in World War II, you know what they said then.
If the bullet had your name on it, it was your time to go.
My father filled up the entire coffin.

This chapbook measures about 5.25 x 5 inches. It features a painting by Angie Reed Garner as cover art (“Homes for the Displaced,” mixed media, 24 x 48 inches). The cover is produced via inkjet on professional matte photo paper. Each book is handbound, trimmed, and features a hand-cut title flag typed old school style.

What others are saying about The Eighth Phrase:

Lisa Williams trains her spotlight on the furtive glimpses and flickering moments out of the past, preserving them under shattered glass before they disappear forever. Up close, revelatory, charged with erotic beauty and grace, her poems are like doors opening into a world of disclosure. The Eighth Phrase is a force of nature, a dissolving fabric, a template for making it all real. —Lewis Warsh

L.B. Williams’ poems are full of the delightful particulars of life. The Eighth Phrase is a lovely meditative sequence of scenes: melancholy at the core, and precise in detail and melody. —Lisa Jarnot

About the Poet:

L.B.WILLIAMS is the author of the memoir Letters to Virginia Woolf (Hamilton Books, 2005), letterstovirginiawoolf.com. She wrote the critical study The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf (Greenwood Press, 2000). Her poetry has appeared in such publications as Washington Square, The Mom Egg, Sunrise from Blue Thunder (A Pirene’s Fountain Anthology) and For She is the Tree of Life: Grandmothers Through the Eyes of Women Writers. She has also published a poetry chapbook, Sky Studies, (Finishing Line Press Fall, 2014). She is Professor of Literature at Ramapo College of New Jersey.

About the Artist:

Angie Reed Garner is a second-generation narrative painter from Kentucky. http://www.angiereedgarner.com

via Wicked Little Heart‘s Etsy Shop.